If you can get past the studio-mandated cuts and janky screenplay, I’d argue that there is a decent movie hidden somewhere beneath the surface of Sony’s Slender Man. This ended up intimidating the studio, which subsequently toned down their marketing campaign and demanded further cuts in order to distance the project from the real-world tragedy. When the first trailer was released, the father of one of the convicted teenagers publicly denounced the film, requesting a boycott in the Wisconsin area. The controversy surrounding the Slender Man story didn’t help either, with the film releasing four years after an infamous stabbing perpetrated by a couple of fans attempting to “appease” the fictional entity. Not only was he forced to compromise his creative vision, but audiences were left with a nearly unintelligible finished film that ends abruptly without concluding several of its own subplots. Having already faced bad luck with studio-backed horror pictures in 2006, when the director was infamously given only two weeks to prepare for the production of I’ll Always Know What You Did Last Summer, White once again got the short end of the stick. Sylvain apparently dealt with loads of studio interference during the project, with producers eventually demanding that he cut the picture down to a PG-13 rating and remove many scenes that had already been featured in the trailer. It’s easy to dismiss this failure as yet another case of “bad movie results in bad reviews”, but there was more going behind the scenes than most people seem to realize. While the film wasn’t exactly a box office failure, there was a notable drop in ticket sales as word-of-mouth began to spread and audiences realized that this wasn’t the internet-based scary movie that they had been waiting for. Scoring 8% on Rotten Tomatoes and 3.2/10 on IMDB (plus a Golden Raspberry “award” for Jaz Sinclair), it’s clear that neither critics nor audiences really connected with this retelling of the Slender Man story. Joey King (Wren) and Julia Goldani-Telles (Hallie) in Screen Gems’ Slender Man. Starring Joey King, Jaz Sinclair, Annalise Basso and more as an ensemble of teenagers who find themselves being stalked by the titular entity (played by genre veteran Javier Botet), Slender Man takes quite a bit of inspiration from The Ring when adapting this eerie meme for a brand-new audience.īoasting talented young actors, extremely stylish directing and a script informed by years of online folklore surrounding the internet’s most recognizable monster, the long-awaited film appeared to be destined for success. Nevertheless, Sylvain White’s take on this seminal internet legend managed to make an impact, though it probably wasn’t what the director and producers had intended. The real mystery here is why it took so long for a big studio to finally tackle the faceless menace, with Sony’s 2018 film being preceded by nearly a decade of viral memes, YouTube channels and even extremely successful videogames. This time, we’ll be discussing 2018’s Slender Man!įrom winning a spooky photoshop competition to becoming a worldwide phenomenon in just a few short years, it’s no wonder that Eric Knudsen’s infamous Slender Man would eventually find its way to the big screen. Even the worst films can boast a good idea or two, and that’s why we’re trying to look on the bright side with Silver Lining Horrors, where we shine a light on the best parts of traditionally maligned horror flicks.
Watching a bad movie doesn’t necessarily have to be a bad experience. Rob Fee wrote the upcoming movie with Baker and Wyatt.īaker and Savini recently created the mask for Scott Derrickson’s The Black Phone.
We’ll have more on their latest collaboration as we learn it. Baker is the mastermind behind Bray Wyatt’s recent “Firefly Funhouse” segments in WWE, which often featured creepy dolls and other spooky goings-on. “ Hopefully fans of horror and fans of Windham like it,” Baker also teases, suggesting that the mysterious upcoming movie is indeed a horror project. I’d say probably the best way to describe it is Ichi the Killer meets Xanadu.” It’s a feature film and it’s something really new and different. We’re starting a film at the end of the month.”īaker continues, “Two weeks to go, we’re filming in Tennessee. Jason Baker tells UK website Metro, “ a phenomenal collaborator, he’s become a really good friend, and we’re actually – you’re the first person that we’re publicly telling about.
WHO IS SAVINI JASON PROFESSIONAL
After creating various masks for former WWE superstar Bray “The Fiend” Wyatt, we’ve learned today that makeup effects artist Jason Baker is now making a movie with Wyatt.īaker, who owns Callosum Studios and frequently creates magic for the world of professional wrestling with partner Tom Savini, will be directing Wyatt in the upcoming movie.